|
| “红色经典”的时限和分期 |
| The Time Limit and Time Phases of “the Red Classics” |
| |
| DOI： |
| 中文关键词: “ 红色经典” 时限 分期 |
| 英文关键词: “ the Red Classics” Time limit Time phases |
| 基金项目:本文系杭州市哲学社会科学规划课题(B08WX02)研究成果 |
|
| 摘要点击次数: 536 |
| 全文下载次数: 112 |
| 中文摘要: |
| “ 红色经典” 是一个“ 史” 的概念, 对其时限及分期的探讨非常必要。文章将“ 红色经典” 的时
限界定在1920 年代至1970 年代, 期间划分为四个阶段:1920 年代的发轫期, 以“ 三个属性”为基本特征;
1940 年代的形成期, 赵树理的小说和新歌剧《白毛女》的成名方式分别代表了“ 红色经典” 最初形成的两
种方式;1950 至1960 年代的繁盛期,“红色经典” 在长期的持续不断的实践过程中, 逐渐探索出、凝练成
一种新的、日趋成熟的艺术品类;1970 年代的衰落期, 后期“ 样板戏” 的理论和实践最具代表性。 |
| 英文摘要: |
| “ The Red Classics” , as a historic definition , the discussion about its time limit and time phases is very necessary
.I n the ar ticle , the time limit of “ the Red Classics” is located from 1920s to 1970s, at the same time , the time sectio
ns are divided into four phases:beginning phases in 1920s, with the basic characters of “ three properties” ;fo rming
phases in 1940s, in which the means of becoming famous of novels of ZHAO Shu-li and new opera the White-haired Girl
represented respectively the two means of forming of “ the Red Classics” ;blooming phase from 1950s to 1960s , in the long
continuous practical process, “ the Red Classics” gradually explo red and condensed a new maturating art kind;declining
phase in 1970s, in the late of this phase , the theory and practice of “Model play” w ere representational . |
|
查看全文
查看/发表评论 下载PDF阅读器 |
|
|
|
